In both Ira Levin's source novel Rosemary's Baby as well as Roman Polanski's adaptation of his film version of Levin's book, Levin and Polanski draw most foundationally upon which of the following folk and/or literary tradition?
a. Polanski and Levin structured Rosemary's Baby on the Russian myth of Baba Yaga, the powerful witch who lives alone in the forest in a hut that walks around on chicken legs. Typically, her hut is surrounded by a fence made from human bones topped by human skulls. Baba Yaga is usually an elderly, haggard women who sports wild, uncombed hair. Baba Yaga can be a force for good or evil. She can guide travelers lost in the Russian forests, or she can destroy those travelers or visitors. She sets a series of tests for those who come under her spell and she will spare you and give you wisdom if you prove worthy of her tasks.
b. Polanski and Levin structured Rosemary's Baby on Jewish folklore of the Golem, a living creature created from clay who comes to life. The Golem can be a victim, a villain, male, female, or of undeterminate gender. The Golem is somewhat similar to the Gingerbread Boy of____________